A “persuasion script” is a planned sequence of messages aimed at changing the way the receiver thinks, feels, or behaves. It operationalizes well established persuasion principles in specific words and actions. The key element in the script is that “persuasion principle.” I contend that most communicators have an extremely simplistic theory of persuasion principles that limits their effectiveness, but not their persistence, always the mark of a missionary which is a special case of persuasion, and certainly not the only case. Let me demonstrate this contrast with a Presidential example from 2004 and not from current times. Usually past examples are better than current ones because you can think a little more clearly about the past than the uncompleted present.
Here’s an extended quote from a story about Howard Dean’s primary run in 2004. The author is Ryan Lizza.
The script calls for the volunteer to deliver a tough version of the Dean stump speech:
“Governor Dean is running for president to stand up to George Bush and take back our country. His opponents are going after him with negative attacks designed to confuse people. All they can do is attack, because, while Governor Dean was standing up to George Bush, they were surrendering to him in Washington. They surrendered when they gave George Bush a blank check in Iraq and when they passed his No Child Left Behind Act. And, while Governor Dean was ensuring health care for every child in Vermont, his opponents were spinning their wheels in Washington.”
If this still doesn’t persuade the Iowan on the other end of the line, the script offers a section titled “Tips” to strengthen the message. “People are sick of hearing about the caucus,” it notes. “Empathize. Share your frustration. Tell them your story. Tell them why you dropped everything and are sleeping on a floor in Iowa to make Howard Dean president.” Of course, empathy doesn’t always work. Sometimes you need to be a little tougher. That’s when you move on to the script under the heading: “If they get pissed and try to cut you off or hang-up.” The way to deal with a pissed-off Iowan is to push back. “Assertively tell your story,” the persuasion script counsels.
Let’s pull out the key elements of this script. First, the script calls for direct argumentation or what I’ll call a debate script. It provides specific issues, a stand on those issues, reasons to support the issue, attacks on other stands, and reasons to support those attacks. This is an obvious demonstration of a central route persuasion approach where you first get a high WATT thinker, then provide strong arguments. Second, the script calls for emotional awareness of the receiver advising to look for either burnout (sick and tired of the primaries and all the shouting) or anger (dislike your candidate and here’s why) and then provide more arguments for handling a high WATT thinker who is either weary or annoyed.
These debate scripts appear to be the most common approach for folks wanting any structure to their persuasion efforts. I’ll commend them for at least having enough foresight to realize that planning beats spontaneity when it comes to persuasion. (Or as the Rules state, “All bad persuasion is sincere.”) A prepared persuader is much more dangerous.
However, the planning here is so earnest, sincere, and authentic as to render it useless in most instances and counterproductive in some. This script is designed to elicit a prepared defensive response from almost all receivers even before the arguments are presented. The script immediately warns the receiver that they are entering into a debate and that they are going to get arguments. Such warnings have the unfortunate effect of producing biased high WATT thinkers rather than objective high WATT thinkers.
In other words, the debate script puts people in a frame of mind where they think they have to defend themselves rather than to listen with an “open mind” or what in theory parlance I’d call “objective processing.” (”Biased processing” is also sensitive to arguments, it just tries to make the arguments fit a position rather than using the arguments to arrive a the “true” position as is the case with objective processing.) Thus, by design this debate script debilitates its chances for success from the beginning.
Worse still is the effect of a debate script when it fails. Whenever a high WATT processor is confronted with contrary arguments, considers those arguments, and then rejects them, their position has become stronger. Now, if the Deaniacs wanted voters to be even stronger in their dislike of Howard Dean, the script makes sense. Start a fight with a voters, make them think real hard, make them actively fight you off, and what do you get? A stronger enemy, not a weaker enemy.
I think that this debate script explains in part the spectacular failure of Howard Dean in the primaries of 2004. You’ll recall that he was a monumental favorite with all the flash of the shooting star rising in the heavens only to crash after the first votes were cast in the first primary, Iowa. What happened? Certainly there are many factors in a vote, but this script approach illustrates in small the larger strategy Dean employed and clearly it did not work.
A persuasion script in contrast to a debate script is open to a wide variety of psychological elements that drive voting decisions. Attributions of causality and responsibilty, perceptions of unfair restrictions, negative consequences from planned actions, cue based associations of liking, credibility, comparison, scarcity, reciprocity, and public commitments, and even simple rewards all can determine how people vote. A persuasion script is open to all of these elements and can move flexibly depending upon the characteristics of the voter in the here and now.
A debate script is the mark of an advocate and is much more concerned with looking good than with getting the desired outcome.